2017 hasn’t been a strong year for Korean cinema, compared to the monumental projects of…
Indie filmmaker Sudhanshu Saria, whose debut feature Loev (the gay drama made it to Flickside’s top 9 must-watch…
From Milind Dhaimade, who gave us the delightful Tu Hai Mera Sunday (one of this…
It’s really not much of an introduction when we first meet the characters of Kaasav. A…
After assisting director Prakash Jha on films like Gangaajal and Rajneeti, Alankrita Shrivastava debuted with…
A highly regarded name in the ad world, Bombay-bred Milind Dhaimade turned director last year…
American cinema in 2017 had plenty to offer. We’ve witnessed a raft of delightful blockbusters,…
From Vikram Vedha to Baahubali 2, these are the top Tamil movies of 2017. 2017 was one…
2017 was a tepid year for the mainstream. The most anticipated films of the year…
2017 was a washout year for big-budget, star-studded Bollywood films. Luckily for us, it brought…
2017 hasn’t been a strong year for big-studio animations. Nevertheless, there were fresh indie films…
Horror is an unapologetically ridiculed genre in Hindi cinema. The recently released Marathi horror-thriller Lapachhapi…
2017, like every other year, was a solid year for horror movies. Between the traditional…
Darren Arnofsky’s metaphysical and metaphor-rich horror drama Mother! either extracts feelings of reverence or repugnance…
The Indian indie landscape has continued to evolve in the last few years, widening its…